Marc Ribot Y Los Cubanos Postizos Aurora En Pekin

• Los Cubanos San Jose
• Marc Ribot Y Los Cubanos Postizos Aurora En Pekin Ny

This performance is from the 19th Banlieues Bleues in France, on March 19, 2002. Y los Cubanos Postizos Marc Ribot y Los Cubanos Pop 1998 Preview SONG TIME Aurora en Pekin. Aurora en Pekin. Marc Ribot, Marc Ribot y Los Cubanos. 5:31 PREVIEW Aqui Como Alla. Y Los Cubanos Postizos begins slowly and quietly with 'Aurora En Pekin' and gradually picks up from there, with Ribot leading his compadres (including percussionists E.J. Rodriguez, bassist Brad Jones, and organists Anthony Coleman and John Medeski) through cool numbers like 'Como Se Goza En El Barrio' and 'Choserito Plena.' Ribot is also known for collaborating with other musicians, most notably Tom Waits, Keith Richards, Lou Reed, Elvis Costello, John Zorn, Electric Masada, The Lounge Lizards, Arto Lindsay and Medeski, Martin and Wood, as well as leading a number of his own bands such as Shrek, Los Cubanos Postizos and, currently, Marc Ribot's Ceramic Dog and the. This item: Marc Ribot Y Los Cubanos Postizos by Marc Ribot Audio CD $39.75. Only 1 left in stock - order soon. Ships from and sold by Records101. (Very Entertaining) by Marc Ribot Audio CD $13.98. Only 20 left in stock (more on the way). Ships from and sold by Amazon.com.

The Prosthetic Cubans is a studio album recorded in New York City by Marc Ribot with Los Cubanos Postizos and features compositions by Arsenio Rodríguez.^[2] It was the first album by The Prosthetic Cubans and was followed by ¡Muy Divertido! in 2000.

Reception[edit]

The Allmusic review by Marc Gilman awarded the album 4 stars, stating, 'The mastery and vision of the enduring Marc Ribot shine through on this release... it is an excellent album'.^[1]

The Miami New Times' Michael Roberts noted 'Postizos doesn't so much reproduce Rodriguez's music as it reimagines it from a decidedly avant-garde perspective'.^[3]

On The A.V. Club Joshua Klein wrote 'The record is about as authentic as any of Ribot's other stylistic excursions, but it's far more straight-faced and therefore decidedly respectable'.^[4]

Los Cubanos San Jose

Variety's Phil Gallo said 'Atlantic stands to do well with the disc as Cuban styles, particularly the son, are being embraced on these shores. “Cubanos Positivos,” which translates to prosthetic Cubans, is more homage than reproduction, embraceable for listeners regardless of which side of the Latin-American fence they’re coming from. More so than his other albums, the disc is accessible from start to finish'.^[5]

Track listing[edit]

1. 'Aurora en Pekín' (Alfredo Boloña) – 5:31
2. 'Aquí Como Allá' (Arsenio Rodríguez) – 4:51
3. 'Como Se Goza en el Barrio' (Rodríguez) – 3:29
4. 'Postizo' (Marc Ribot) – 4:55
5. 'No Me Llores Más' (Luis Martinez Griñán) – 5:39
6. 'Los Teenagers Bailan Changui' (Rodríguez) – 4:49
7. 'Fiesta en el Solar' (Rodríguez) – 5:05
8. 'La Vida Es un Sueño' (Rodríguez) – 3:30
9. 'Esclavo Tristé' (Rodríguez) – 6:06
10. 'Choserito Plena' (Inacio Ríos) – 2:46

Personnel[edit]

• Marc Ribot – guitar, trumpet, vocals
• Brad Jones (all but (10)) – bass
• EJ Rodriguez – percussion, vocals
• Robert J. Rodriguez (all but (6)) – claves, drums, percussion, vocals
• John Medeski (2,4,5,8) – organ, Mellotron
• Anthony Coleman (3,6) – organ
• Madeline Hunt-Ehrlich (4) – vocals
• Mattan Ingram (4) – vocals
• Miles Ingram (4) – vocals
• Gregory Ribot (10) – baritone saxophone
• JD Foster- producer

References[edit]

1. ^ ^abcGilman, M. Allmusic Review accessed August 3, 2011.
2. ^Marc Ribot: Marc Ribot y Los Cubanos Postizos accessed December 9, 2019
3. ^Roberts, M. Miami New Times: Meet the Prosthetic Cubans, October 21, 1999, accessed December 9, 2019
4. ^Klein, J. The AV Club Review accessed December 9, 2019
5. ^Gallo, P. Variety Review, June 23, 1998, accessed December 9, 2019

構成数 | 1枚

Marc Ribot Y Los Cubanos Postizos Aurora En Pekin Ny

合計収録時間 | 00:46:41

Personnel: Marc Ribot (vocals, trumpet, guitar); Gregory Ribot (baritone saxophone); John Medeski (organ, Mellotron); Anthony Coleman (organ); Brad Jones (bass); Robert J. Rodriguez (drums, claves, chekere, percussion, background vocals); EJ Rodriguez (percussion, background vocals); Madeline Hunt-Erlich, Mattan Ingram, Miles Ingram (background vocals). Recorded at Water Music, Hoboken, New Jersey; Quad Recording, Platinum Island, New York, New York. All tracks have been digitally mastered using HDCD technology. Personnel: Marc Ribot (vocals, guitars, trumpet); Roberto Rodriguez (vocals, drums, percussion); E.J. Rodriguez (vocals, percussion); Greg Ribot (baritone saxophone); Steve Nieve (organ); John Medeski (Mellotron); Anthony Coleman (keyboards); Pete Thomas (percussion). Audio Mixers: J.D. Foster; Andy Taub. Recording information: Platinum Island, New York, NY; Quad Recording, New York, NY; Water Music, Hoboken, NJ. Guitarist Marc Ribot is well-known and respected for his session work with the likes of Tom Waits and Elvis Costello, as well as his association with John Zorn and other downtown New York experimental musicians. Like several others in that scene, Ribot has formed a group to create an outlet for an interest in ethnic music, in this case, the music of the late Cuban composer, instrumentalist, and bandleader Arsenio Rodriguez, who wrote most of the tunes on this CD. The result is a well-crafted album that should bring Cuban music to a whole new audience. The album's overall feel is understated--on many cuts it's just Ribot, a bassist, a drummer, and a percussionist. Ribot's guitar solos are always highly articulate and he has a great command over a variety of tones. A few cuts also feature organ (either frequent Zorn collaborator Anthony Coleman or John Medeski), and Ribot even takes a couple of spoken vocals on 'No Me Llores Mas' and 'La Vida Es Un Sueno.' The production is spare and uncluttered, giving it a live band sound. Anyone who enjoyed the Latin Playboys' album or Ry Cooder's Buena Vista Social Club is sure to respond to Ribot and company's quirky take on Cuban music.

録音 | ステレオ (Studio)